Common Press Construction Update at The Wonder of Wood

On Tuesday we visited Settle, in the heart of the Yorkshire Dales, to check on the progress of our wooden common press components. There may not be a lot to show at the moment but, as this aspect of the project has received such interest, it is incredibly exciting to show how it is beginning to take shape.  You can find out more about wooden common presses and the reproduction side of our project here.

Settle
Punny benches at Settle station
The Wonder of Wood
The Wonder of Wood

As wooden common presses are typically over six feet tall and construction requires low moisture content and solid hardwood, we couldn’t simply drop by B&Q to source our wood. Many parts of the press will be made from much larger stock than what is readily available but the team at The Wonder of Wood managed to source timber large enough to be used for the cheeks, and it can be seen in the photo below.

Cheeks

Till
Other recognisable forms beginning to take shape include the till.

It was incredibly useful to meet Robert and the team in person to consult the plans, answer some questions and, thanks to their great problem solving skills, come to conclusions that only involved making minor adjustments to our original plans. Therefore we can work with the wood and not compromise on creating a true reproduction of the early 18th century Gent press.

Our plans
Our plans at The Wonder of Wood
Gent Press
The 18th century remains of the wooden common press owned by York printer Thomas Gent have informed the plans for our reproduction.
Uncommon Press
An example of a modern common press reconstruction – the Uncommon Press at the Cary Graphic Arts Collection at RIT (photos credit Seth Gottlieb).

Stay tuned in the coming weeks for a more detailed update on the construction process and the work of the machinist and blacksmith, as they too begin to pour their expertise into our project.

You can check out The Wonder of Wood and their work here.

Yorkshire Dales

Thin Ice Press at The Print Project

Last week members of the Thin Ice Press team visited The Print Project in Shipley. The workshop, hosted by Nick, gave us the opportunity to learn about letterpress, get covered in ink and create something beautiful.

Nick began by using his work (check it out here) to show us the creative possibilities of experimenting with wooden and metal type and how we will soon be able to use the Thin Ice Press studio for our own creations. To get some experience with metal type, as members of the team less acquainted with the practicalities of letterpress, we decided to each set a line taken from The Life of Mr. Thomas Gent, Printer, of York.

In January 1739, the frost having been extremely intense, the rivers became so frozen, that I printed names upon the ice. I first set up, as it were, a new kind of press, only a roller wrapt about with blankets.

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We opted to use different faces and point sizes. To someone far more comfortable with Photoshop, letterpress can be a daunting medium. If you set a line of text that ends up being too long you can’t just swipe over it to decrease the point size. This may sound obvious to readers familiar with letterpress but really got us into the mind-set of this completely different way of creating and showed us it is best to not ignore these differences, and treat letterpress like a digital printer, but to work with and embrace them. This led us to alter the line lengths and in turn, we think, create a more interesting design. The experimentation with different faces also taught us that we’re going to need some strict measures in place to ensure our type stays organised in a studio that will be used by many students in the coming months!

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After transferring to the galley, packing with spacing and adding a flourish, we used the proofing press to highlight some amusing errors. We corrected our errors, proofed again and used this imprint to experiment with different layouts.

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We finalised the layout and placed the forme on the bed of his Vandercook press. Nick showed us how to lock up the forme and secure it with furniture. He explained how pressure is exerted and the ideal shape to achieve – this certainly made us appreciate the work that goes into creating his extraordinary layouts. With paper size decided and cut, it was time to print. We took it in turns to use the press, ink the type and place on the drying rack. We even looked like we knew what we were doing…most of the time.

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It was wonderful to get acquainted with metal type and spend some time in a fully operational studio. Big thanks to The Print Project for an incredibly useful and really fun day out. You can check out the website here.

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Crowdfunding Update & a Busy Week

Our first wonderful announcement is that, thanks to you generously donating and spreading the word about our crowdfunding campaign, we have hit our fundraising target! To find out how this will shape the future of Thin Ice Press click here and if you missed the crowdfunding deadline and still wish to donate you can do so here (please select ‘Other’ in the ‘Designation’ drop-down menu, and then type YuStart – Thin Ice Press into the box that appears).

To spread the word about our ambitions we welcomed members of the York Antiquarian Book Seminar into the studio. These guests were the first to see the space and it was brilliant to fill it with such enthusiasm.

Antiquarian Book Seminar
Members of the York Antiquarian Book Seminar in the studio.

We have also been out and about with our smallest press. The first of these events was the International Association of Bibliophiles visit to the University of York library. It was great to get involved with this event, talk about our project and in exchange see some interesting items from the Borthwick Archives.

International Association of Bibliophiles
Illustrated journal created by a 9 year old, on display during the International Association of Bibliophiles visit to the University of York library.

The next day we headed to the 2018 York Book Fair. The event, at York Racecourse, featured over 220 bookdealers and is considered to be the largest rare and antiquarian book fair in the U.K. We took a stall by the entrance to entice people to chat and learn about our project as they waited in line to drop their bags.

2018 York Book Fair
Thin Ice Press team members chat to visitors at the 2018 York Book Fair.

Over the weekend the University held Open Days. We took this opportunity to get back in the studio and open it up to prospective students. Everyone loved printing on the Adana during the July Open Days and this enthusiasm was seen again (such as people reacting to the magic of their first imprint) but now alongside three large iron presses and the fragments of the early 18th century common press. It was also lovely to give tours of the studio and chat about our plans to integrate the print studio into teaching, student societies and publishing over the coming academic year.

Getting involved with these communities has been so rewarding and we’ve realised just how many people have connections to letterpress, from those who had once set metal type (and now want to stay as far away from the fiddly stuff as possible!) to people whose ancestors had owned a press. All acknowledged our madness for embarking upon such an ambitious project but certainly share our joy in the revival. It’s been busy here at Thin Ice Press and, in light of our fundraising campaign, we’re eager for this to continue.

New Crowdfunding Campaign

Our crowdfunding campaign with YuStart is live. It has definitely come at a good time, as in the previous blog post we welcomed three wonderful iron presses into our otherwise pretty empty print studio. The main expense, the presses, was covered by generous funding from the university but this new crowdfunding campaign will allow us to buy essentials like paper, type and perhaps even employ a printer to inspire students and help us use our presses to their full potential.

There are some wonderful rewards on offer in exchange for a pledge, so check out the campaign and please take a moment to share the page and spread the word!

https://yustart.hubbub.net/p/thinicepresslaunch/

sponsor

The Print Studio & Press Arrival

It’s been a hectic few weeks here at Thin Ice Press. A few weeks ago room D/L/051 begun its transformation into the print studio and, with all the old desks removed, the space was revealed to be great.

D/L/051
D/L/051 at the University of York…soon to be The Print Studio
team in the studio
The team in D/L/051 at the University of York

We’ve had many deliveries within the last few days. The first of these included type cabinets from urbanfox letterpress, some wooden type, spacers, ink…and a large yellow hazardous materials cabinet that is currently sitting in the English department reception!

Deliveries
Deliveries piling up…I think everyone in the department reception will be as excited to have these items set up in the print studio as we are!

Last Friday lunchtime the room continued its transformation as new flooring was fitted. This development came just in time for the delivery of our three iron presses from The Logan Press, and also of the historic Gent press from Scarborough Museums.

work begins
Work begins to transform D/L/051 into The Print Studio
Flooring
The flooring is down
new door
Shiny new door…soon to be changed to ‘The Print Studio’

The arrival of the presses today was one of the most exciting moments of the project so far. We were able to see how the iron presses we bought in June had been beautifully restored by The Logan Press and it was fascinating to watch all the parts come together to build the three presses you can see in the photos below.

Eagle
The eagle (a counterweight) from our Colombian press

Columbian 1

Columbian 2

Columbian 3

Columbian assembled
Our 1838 Columbian press assembled by The Logan Press
Albion
1847 tabletop Albion
Albion assembled
The smaller Albion seemed a lot easier to assemble in comparison to the Columbian
Arab 1
Arab presses were designed to be supplied in parts (like flat-pack furniture of today)

Arab 2

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Arab assembled
1926 Arab
the presses
1838 Columbian, 1847 tabletop Albion and a 1926 Arab joining our Adana 8×5 at Thin Ice Press (Adana not pictured)

The hectic day of deliveries continued with the kind loan of the early 18th-century wooden common press, once owned by York printer Thomas Gent, from Scarborough Museums. The arrival of this press means we are now able measure the final pieces of the Gent press and complete the plans of our own reproduction wooden common press.

Gent press
The disassembled 18th-century wooden common press

These recent developments mean we can now move on with many of our plans, from printing to common press construction, but it has also offered up a moment to reflect on what we have achieved in a relatively short space of time. There is still a lot to do, move into the studio and tweaks to be made on all the presses, but we are now custodians of a historic press and room D/L/051 is home to a (soon to be) working printing studio!

A big thanks to The Logan Press for your work today and to Scarborough Museums for loaning us the Gent press. I’d also like thank everyone who has subscribed to this blog and those following our journey on Instagram and Twitter – it is so wonderful to see your engagement and enthusiasm towards our project.