I’m a Professor of Renaissance Literature and Head of the Department of English and Related Literature. I’ve always loved books as things, as well as as fictions — and especially beautiful books, whether that means fine printing and artist’s books or mass-market paperbacks and the accidents of cheap print. A lot of my research is about the early years of printing, and especially women’s roles in printing, publishing, editing and bookselling. And I’m fascinated by the way Renaissance printers experimented with the shape of the book, and the possibilities of the page. So I’m really excited to be realising a long-held dream in setting up a press, and am looking forward to experimenting and learning more about the constraints and the imaginative possibilities of letterpress.
I’m a Lecturer in English and Creative Industries in the Department of English and Related Literature. I’ve taught a number of modules on publishing and book culture over the years. Although we discuss the impact of digital technologies on contemporary publishing, I always look forward to bringing in my favourite examples of fine printing and innovative book design – and I’m always delighted by how many students share my love of print. I’m also a poet, and the material qualities of the book often figure into my writing process. I’ve worked with small publishers on hand-made editions of my own collections in the past, but I can’t wait to start experimenting in York’s Print Studio!
I’m a master’s student at the University of Manchester studying History of Science, Technology and Medicine. I’m currently researching mid-20th-century architecture, but my background is in researching the impact of early print technologies on the workflow and final product of the printing process. I’ve built a wooden common press once before, which probably makes me the youngest living person to have made more than one! I’m from the U.S. and am easy to pick out of the team– just find the one with the weird accent.
I’ve recently finished my PhD thesis on Shakespeare and Greek Tragedy at the University of York. I am very interested in early printing history and the history of the book, and particularly the development of Greek printing in Europe and England in the sixteenth century. Helping to build a wooden common press is an absolute dream for me!
I’m a Masters student at the University of York’s Centre for Eighteenth-Century Studies, so I’m thrilled that our common press is a replica of that used by eighteenth-century York printer Thomas Gent. After having read so many texts from the period, it’s fascinating to learn more about the physical nature of books, newspapers and pamphlets. You can generally find me surrounded by eighteenth-century fiction however, this project will see me spending some time away from the library and getting hands-on with the practicalities of turning Thin Ice Press into a reality.
I’m Lizzy, an English Literature undergrad here at York. I’m fascinated by transitional periods of written and oral communication, which is why I’m doing my dissertation on the Gutenberg Parenthesis and why I’m so excited to be involved with a project that aims to explore and revive historic printing techniques. Through creating and managing the online presence of Thin Ice Press I hope to drum up interest for this lesser known aspect of York’s history, taking inspiration from the enthusiasm York’s early printers had for the city and in turn preserving their lives and work.
I’m an MA student in the Medical Humanities, a museum enthusiast and York native. I’ve always had a passion for local history so I was delighted to find out that this project is inspired by Thomas Gent, a well-known printer of York. I’m particularly interested in the journey of Gent’s printing life and how print both shaped and expressed his identity, from his initial success to his decline into illness and poverty. I am fascinated by the surviving Gent press, as this along with his original prints provide a physical dimension to the history of his life.